sleepingfish 12


Daisy Atterbury : INVENTORY SHEET

 

Phonemes are not discrete or distinct from one another. They merge and disperse. My interest is to visualize this continuity in photographic prints that take spectral maps as a direct referent. Because sound occurs over time, the pieces “read” differently in time, as the eye takes in the whole spectrum at once, traveling subsequently to key areas of disturbance. The spectrogram is a meditation on time, while at the same time exploring the congruencies and conflations of visual and sonic perception.

 

Series: Low-range unidimensional monochromatic open-ended inquiry. (2013)

Fig (inkjet print, 24 in. x 60 in.), based on text by Caroline Bergvall.

Fig Caroline Bergvall

Fog (inkjet print, 24 in. x 60 in.), based on text by Mei-mei Berssenbrugge.

Fog by Mei-mei Berssenbrugge

Making of Americans (inkjet print, 24 in. x 60 in.), based on text by Gertrude Stein.

Making of Americans  by Gertrude Stein

Scum Manifesto (inkjet print, 24 in. x 60 in.), based on text by Vanessa Place

Scum Manifest by Vanessa Place

 

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Fig Caroline Bergvall

Fig 2013

 

 

Fog by Mei-mei Berssenbrugge

Fog 2013

 

 

Making of Americans  by Gertrude Stein

Making of Americans 2013

 

 

Scum Manifest by Vanessa Place

Scum Manifesto 2013

 



Daisy Atterbury is based in New York and Santa Fe. She co-directs Unmalnaebe Talks, and she founded NM Poetics in 2010. Her work has been exhibited in Paris and New York.

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