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˘ This is the last post on the Sleepingfish servers, from now on 5˘ense lives on it's own server...
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2006 |
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˘ More Songs About Buildings and Memes: Street Art of Granada and Seville Rather than stuff our faces with turkey this thanksgiving, we decided to stuff our faces with the sights of southern Spain (a polite way of saying their food and associated customs of when you can eat it, truly sucks--granted the olives and Manchego cheese were [ ... ] |
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˘ Halloween Doggie Style: The 16th Annual Tompkins Square Dog Run Halloween Parade I didn't stick around for the judgment, but if you ask me, Nacho Libre takes the cake. With the Pug Spider a close second. Though the Cherokee boxer and the lion dog were up there too. They're all winners. Even if it's a little mean. [ ... ] |
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˘ 10 images inspired and for The Revisionist by Miranda Mellis Been working on some images for the next Calamari book, The Revisionist by Miranda Mellis. Some of these depend on the con-text so you'll just have to get the book to see what they mean, hehe [ ... ] |
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˘ Curied Cell Culture of Paris: The Street Memeology of Oui Went to Paris this past Columbus Day weekend. On Air India, overnight flight, arrived in the morning in delirium, got the train into the cité. The rest of the plane continued onto Mumbai (formerly known as Bombay). [ ... ] |
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˘ Cover of the first edition of Frank Stanford's battlefield where the moon says I love you I am fortunate enough to have in my possession a copy of the first edition of Frank Stanford's epic the battlefield where the moon says I love you, from it's 1977 printing. The most coveted book-object I own without a doubt. [ ... ] |
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˘ Degeneration in the Fiction of Mario Bellatin: A review of Chinese Checkers by Norman Lock “No symbols where none intended,” Beckett admonishes all who would hope to wrest from a fictional text a meaning laid down, deliberately or not, in its images. Written by Mexican author Mario Bellatin and transparently rendered into English by Cooper [ ... ] |
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˘ Images of Yucatán 1. Islas Mujeres Revisited Post Hurricane Gilberto, 2. The Shanty Hole Boxes of Holbox, 3. Beachcombing for the Origin, 4. Swimming with Whale Sharks, 5. Onward to Mérida (a.k.a. Ti'ho), |
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˘ Some muddy and rusty images inspired by and for Peter Markus' Good, Brother As an editor and pu(bli)sher, I try to heed Scarface's infamous words of wisdom, "don't get high off the supply," but sometimes I can't help myself. The following are images created to fill in some blank pages of Peter Markus' Good, Brother, which Calamari Press [ ... ] |
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˘ The Necessity of Ripening and Ingesting: On Jenny Boully’s [one love affair]* Halfway through her new book, [one love affair]*, Jenny Boully informs us that the reading of a novel takes place outside of the novel, extending a motif she started in her first book, The Body (Slope Editions, 2002, now out of print) in which the writing [ ... ] |
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˘ "Concrete
Poetry" : Giving it back to the Streets of NYC
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˘ &Now
Unread To-Reads : recent acquisitions from the presses and
people at the &Now/Lake Forest Literary Festival
Went to the &Now Lake Forest Literary Festival last week. I came home with a lot of questions, like is the forest named after the lake or the lake after the forest? Seriously, lots of academic rhetoric went around that flew over my head, and I suppose this world [ ... ] |
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˘ Inverse Anthropomorphisms and Animistic Animals in Recent Literature : with reviews of James Tate, Aase Berg and Lara Glenum. Speaking of flora and Kathryn Rantala's The Plant Waterer, I have had fauna on my mind a lot lately--not that I have [ ... ] |
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˘ Pigs in Space : The
evolution of the
cover for Christian Peet's The Nines
This is the first sketch for a cover that Christian Peet asked me to do for his book The Nines, now available from Palm Press. [ ... ] |
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˘ A Beautiful Compression: Unifying a Fractured World An Appreciation of Kathryn Rantala’s The Plant Waterer by Norman Lock Kathryn Rantala is a poet of small events and inconsequential moments – or so one may be tempted to observe, initially, after [ ... ] |
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˘ EIRE DUB : Photo Essay of Dublin
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˘ Faruk Ulay : Beneath the Shadow of Perpetual Defeat Is it human nature to perpetually strive to stave off entropy? If you're anything like me, your desk is piled with books and manuscripts, CDs, to-do lists, event reminders, random post-its, unfinished stories, unpaid invoices and notes you wrote to [ ... ] |
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˘ Earth from 35,000 feet : Hex : Or Printing In the Infernal Method I seem to only get reading done lately while traveling, and while I recently praised the allure of train travel, airplane travel is also an opportune time to get reading done (though not nearly as romantic as it used to be). Air time is also a good hang time to step [ ... ] |
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2005 |
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˘ Montreal Montage: A Ride on the Reading RailRoad to Mt. Real: ˘ Scene I: NYC to Montreal (reading Sentence 3 and Gander's Eye Against Eye). ˘ Scene II: Montreal (reading David Ohle's Motorman) ˘ Scene III: Montreal to NYC (reading Saunders' The Brief and Frightening Reign of Phil) |
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˘ Echoes
of the Original Bunnymen : Echo & the Bunnymen live at Irving
Plaza |
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A
Cantering Homage: syncopated evocations while reading Kamau Brathwaite's Born to Slow Horses |
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˘ The Combinatorics of
Advertising : TELLTHISMUCH by Carlos Luis & Wendy Sorin |
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˘ Mexican
Street Memes & Residual Meme Adhesion : 2
galleries of street art and textural graffiti from Oaxaca and San
Cristóbal, Chiapas |
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˘ Terrestrial
Visitation to the Contemporary Mayan Underworld :
3-part field report
from the depths of 1. Guatemala, 2. Chiapas & 3. Oaxaca |
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˘ The Blood
Brothers Live in NYC : post-punk cabaret style |
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˘ Kevin
Sampsell's Beautiful Blemish : a case study |
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˘ Miami
Viz : field report from the visual poetry exhibit in Miami |
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˘ A
History of the Imagination : Norman Lock’s Life in the Bush of Ghosts. |
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˘ The
Aztec Glass Cage Exhibitionists : chance thoughts on John Cage, George Quasha, Jesse Glass, John Byrum and
the ancient Aztecs at the turn of 2005. |
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2004 |
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Discontinuous reenactment while reading : Sawako
Nakayasu So We Have Been Given Time or |
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˘ 4-part Southwest
travelogue: 1. Red Meat Wedding, 2. Roadtrip Music (Nick Cave & Tom
Waits), 3. Native American
Graffiti and 4.The
Turkey Dance. |
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˘ TEXTural
analYSIS of SUpeRFiACial subSTANCES 36 images of NYC surfaces
and street art from SleepingFish 0.5 |
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˘ Looking
for Beef in the Bush of Costa Rica : a travelogue |
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˘ 5
Pointz Graffiti : taking art to the streets outside of P.S.1. |
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˘ In
Search of Chupacabras and Dino Flagellates in Puerto Rico (and
discovering entropic quantum chaos in its place) |
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2003 |
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˘ Trini-Dada
Boyzzz: “The Mother of All Street Meat” : food review from SleepingFish 0 |
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˘ Hot Hot Heat
and Ima Robot : concert
review |
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˘ Hero/Anti-Hero:
Barney vs. Friedman and Vice Versa :
contrasting art review of Matthew Barney and Tom Friedman |
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˘ eyewitness
Limbo : account of carrying eyeballs up a volcano in Indonesia |
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˘ A
Relection on Vegetating : an anthropomorphic view of being a plant |
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˘ And You Will Know Us by the Trail of Dead : concert review |
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˘ Siren
Freakfest, Coney Island :
a 4-part photographic
rant |
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˘ The Soundtrack of Our Lives w/Caesars : concert review |
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DISCLAIMER: 5˘ense Reviews are seeped in direct sensory experience. They do not pretend to be objective or conventional. By definition, they are inevitably subjective, and in fact may be completely arbitrary, biased or fictitious. The subjects of the reviews are also somewhat random: literature, art, music, food, movies, travel destinations, or any experiences that transcend, meld or deconstruct form or genre, or that engage or inspire the visual, aural, gustatory, olfactory and tactile senses (or simultaneously none of the above). This is not to say that 5˘ense Reviews need to make any sense. Unless stated otherwise, these reviews, blatherings and ephemera are the opinionated 2 cents of Derek White |
(c) 2003-2007 Derek White / Sleepingfish / Calamari Press.